Perhaps, given long enough, the rest of the world will one day react the way Noah did when he heard “Happy Birthday to You” for the first time - with stunned horror that so many people could be content to sing something so depressing. I therefore propose that Wonder’s “Happy Birthday” be adopted as the universal norm. With Happy Birthday, Stevie Wonder successfully campaigned to honour Martin Luther King Jr with a national holiday, in a career of socially conscious songwriting, writes Diane Bernard. “Happy Birthday to You” was in a sense ruined by the craven greed of the music executives who wanted to monetize it at the expense of the people. But by then, the cultural damage, the decades of careful evasion that kept the familiar melody out of movies and TV, had been done. The track was justly inducted into the public domain in 2013, after a clever documentarian filed a class action lawsuit against the record label. In addition to being boring, repetitive and brutally cheerless, “Happy Birthday to You” has the distinction of having been mired in litigious controversy for the better part of a century, dubiously lining the Warner Music coffers by squeezing millions of dollars in bogus royalties out of everyone, from TV networks to the Girl Guides of America. How I learned to ski in my 30s - and discovered the terror and joy of the mountain Nobody really likes “Happy Birthday to You.” And in Wonder’s rendition we have an excellent candidate to replace it entirely. It’s so good, in fact, that it makes you wonder what anyone is doing singing “Happy Birthday to You,” and why so many of us persist in the habit despite compelling reasons to abandon it entirely. ![]() ![]() It’s joyous and effervescent it has beds of smooth’ 80s synths and is, absurdly, almost six minutes long. Wonder’s “Happy Birthday” is extremely delightful. “Black people (me and my entire family, for instance) have been singing it at birthday parties for decades… It’s infinitely cooler and more soulful than the white thing that may have inspired it.” “Yes, the black ‘Happy Birthday’ is real,” she writes. ![]() In 2016, Aisha Harris wrote a paeon for Slate about what she simply calls “the black Happy Birthday song,” which, she discovered when she informally polled them, her white friends had almost uniformly never heard of. Indeed, black families all over America have tended to prefer “Happy Birthday” to the white-favoured “Happy Birthday to You,” defaulting to it in unison each year. Noah’s was not the only family to substitute Wonder’s ballad for the traditional.
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